StudioLive 64S Digital Mixer

With the 64-channel StudioLive® 64S and a full suite of integrated software, PreSonus® delivers the most powerful and flexible digital console available for installed sound, touring, and recording – and the best value. Powered by the PreSonus quad-core FLEX DSP Engine, no other mixer can match its 128-channel (64×64) USB recording, 76 mixing channels, 43 buses, and an astounding 526 processors. Features such as password-protected user profiles for restricting feature access and mixer scenes organized by project, make the StudioLive 64S ideal for installed sound. Thanks to built-in AVB networking, the StudioLive 64S integrates with stage boxes, personal monitor mixers, switches, and more. Managing 76 total inputs is easy with 32 FlexMixes and 24 DCA groups. The Fat Channel processing section offers expandable plug-ins with vintage-style EQ and compression options on every channel and output bus.
Computer System Requirements

Features

The most powerful and flexible digital console available for installed sound, touring, and recording with quad-core FLEX DSP Engine powering 526 simultaneous processors
Fully recallable with touch-sensitive motorized faders
Built-in AVB networking to create a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, other Studiolive Series III mixers, and the SW5E AVB switch
Built-in 128-channel (64×64) USB interface – the most of any digital mixer on the market
Onboard multitrack SD Card recorder with true Virtual Soundcheck
32 FlexMixes (aux mixes, subgroups, or matrix mixes)
FLEX FX multieffects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
Complete professional solution: suite of integrated software, including Studio One® Artist DAW

Highlights & Specs

Remote Control Your Digital Mixer From Anywhere—On Any Device.
Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier. Mix wirelessly on your table using UC Surface touch-control software. Control your monitor mixes from your phone with QMix®-UC.

Superior Sound
In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity.

The FlexMix Difference.
Highly configurable, the StudioLive 64S provides 16 FlexMixes that can be used as aux buses, subgroups, or matrix mixes. Four dedicated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. You also get DCAs to control groups of channels easily.

A Complete Networked Solution.
StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 64S to fit your needs—even when those needs change. Designed to enhance each other, these products are at the forefront of AVB networking technology.

One-Click Recording
The StudioLive 64S is tightly integrated with PreSonus® Capture® live-recording software. Capture is designed to make recording easy by instantly configuring with your mixer and allowing you to record every channel plus the main mix with a single mouse click. Even better, your Capture sessions open natively in Studio One!

World-Class Recording Software Included
Take your Capture recordings to the next level with Studio One Artist. Open your multitrack sessions natively in Studio One to start mixing! Studio One’s intuitive drag-and-drop workflow makes recording, mixing, and producing fast and fun.

Microphone Preamp

Total Harmonic Distortion
<0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted

Signal To Noise Ratio
94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted)

Common Mode Rejection Ratio
65 dB (1 kHz at Unity Gain)

Gain Control Range
0 dB to 60 dB (±1 dB)

Microphone Preamp Maximum Input Level
=+12 dBu (Unity Gain)

Phantom Power
+48 VDC (±2 VDC)

Frequency Response
20-20 kHz (±0.5 dBu at Unity Gain)

Microphone Preamp Input Impedance
1 kΩ

Line Inputs

Line Inputs Maximum Level
=+18 dBu

Line Inputs Frequency Response
20-20 kHz (±0.5 dBu at Unity Gain)

Line Inputs Total Harmonic Distortion
<0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted

Line Inputs Impedance
10 kΩ

Headphone Outputs

Headphone Outputs Maximum Output
100 mW/ch. @ 60Ω load

Frequency Response
20 Hz to 20 kHz, +/-0.5 dB

Total Harmonic Distortion
0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted

Digital Audio

Digital Audio Dynamic Range
ADC Dynamic Range: 115 dB (A-Weighted, 48 kHz), DAC Dynamic Range: 115 dB (A-Weighted, 48 kHz)

Digital Audio Bit Depth
24

Supported Sample Rates
48 kHz, 44.1 kHz

Electronics

Voltage
100-120V

Headphone Jack
1/4" TRS Active Stereo

Miscellaneous

Connection Type
IEC