This is for a Pair
Performance
Transparency. Clarity. Accuracy.
Kali Audio’s Lone Pine Series studio monitors are designed to allow you to hear every detail that’s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
The 2nd Wave goes even further, utilizing a more robust DSP for an even flatter frequency response on the top end.
LP-6:
80W
Class D Power
39 Hz
Lower Frequency Response
< 3% System THD
94 dB @ 1M
115 dB
Max SPL
*On-axis response measured on a ground plane with 1/6th octave smoothing. Full resolution measurement data may be downloaded below.
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. For the 2nd Wave, the boundary EQs have been updated for using the speakers on a desk with monitor stands.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
Specifications
| LP-62nd Wave | LP-82nd Wave | |
|---|---|---|
| Powered: | Yes | Yes |
| Amp Class: | D | D |
| Power Config: | Bi-Amped | Bi-Amped |
| HF Power: | 40 W | 40 W |
| LF Power: | 40 W | 60 W |
| Total Power: | 80 W | 100 W |
| HF Driver: | 1-Inch Textile Dome | 1-Inch Textile Dome |
| LF Driver: | 6.5″ Optimized Paper | 8″ Optimized Paper |
| Crossover: | 1500 Hz | 1800 Hz |
| Frequency Response (-10 dB): | 39 Hz – 25 kHz | 37 Hz – 25 kHz |
| Frequency Range (±3 dB): | 47 Hz – 21 kHz | 45 Hz – 21 kHz |
| Recommended Listening Distance: | 0.5 – 2.5 Meters | 0.5 – 3.5 Meters |
| Max SPL: | 115 dB | 117 dB |
| System THD: | <3% from 80 Hz to 1.7 kHz <2% above 1.7 kHz (90dB SPL @1m) | <2.5% from 80 Hz to 400 Hz <1.4% above 400 Hz (90dB SPL @1m) |
| Unbalanced Inputs: | 1 x RCA | 1 x RCA |
| Balanced Inputs: | 1 x XLR, 1 x TRS | 1 x XLR, 1 x TRS |
| TRS/XLR Input Sensitivity: | 94dB SPL @1m (anechoic) for +4dBu input | 94dB SPL @1m (anechoic) for +4dBu input |
| RCA Input Sensitivity: | 94dB SPL @1m (anechoic) for -10dBV input | 94dB SPL @1m (anechoic) for -10dBV input |
| Enclosure: | Front Ported | Front Ported |
| Height: | 14.125 Inches (35.9 cm) | 16.5 Inches (41.9 cm) |
| Width: | 8.75 Inches (22.2 cm) | 10 Inches (25.4 cm) |
| Depth: | 10.25 Inches (26 cm) | 11.25 Inches (28.6 cm) |
| Product Weight: | 15.54 lbs (7.05 kg) | 19.8 lbs (9 kg) |
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